In recent days, an AI short show called “The Nine-Oxy Fox Man Loves Me” has been on social platforms. From late May until its end in early August, the shivering single platform alone exceeded 180 million, with a cumulative update of 27 episodes lasting approximately one minute each, but with a very high impact content, it was strongly placed in the top 20s of the vibrating and fast-hand shorts.
The ludicrous level of “The Nine-Oxy Fox Demons In Love Me” play. The beginning of the story breaks the rules, the deep mountains of the fox demons, and the nest is razed to the ground by the leading woman with the excavator on. And the next development is a breakthrough in the imagination, not only is the leading woman accompaniing the monster, but she has also set up a ogre farm. And what’s even more embarrassing is that the foxes finally become “Mothers” and have a little fox. The ultimate BOSS looks like a labubu in a series of matt’s fury toys, and in a myth there’s a strange feeling of joy.
The nine-tailed fox demon in love with me attracts the eyeballs with “crazy” and “phoenix man tossing the egg” and “Loncupid” and so forth, which together form a trend to break the tradition. These grotesque events have led the audience to a ambivalent viewing experience, while obfuscating the “no sense of logic” is too “irregular” to be attracted to one another and to one another, creating a unique communication effect of “up and down.”
In terms of production, the Nine-Fixed Fox Men in Love with Me, relying on AIG technology throughout, presents low-cost, high-spectrum and technical flaws. The creation threshold has been significantly lowered through a series of processes such as the generation of smart scripts, virtual role and scene design, dynamic content generation, intelligent voice and editing. It used to cost millions or millions of dollars to make a fairy tale, and now, one in two days. This super-efficient production allows the series to quickly repeat content and adjust the course in a timely manner to audience feedback.
However, the limitations of technology are also evident in the play. The image generated by AI is a little cheap, and the switch is even more hard as a PPT, and the special effects are glamorous but rough. It is surprising, however, that these technical flaws have not affected the audience ‘ s enthusiasm for viewing, but rather have become unique ecstasy labels, which have increased the sense of surprise and interest in viewing.
The fire of the Nine-Oxy Fox Man in love with me was no accident and reflected the profound changes in the short play market. In 2024, the size of the country ‘ s micro-short drama users reached 662 million, with a daily average of 101 minutes. In the same year, the short play market was 50.4 billion yuan in size, of which the contribution of the short play by AI was indispensable. Of even greater concern is the fact that the first half of 2024, with short-surges, exceeded $2.3 billion, demonstrating enormous global market potential.
In the first half of 2025, the overall heat of the short play industry decreased, but the Ai Xian Xiangen short play, represented by the ” Nine-tailed fox demons fall in love with me ” , ” Mountain Mirrors ” , rose with bold innovation and efficient production. They have been successful, on the one hand, because the ludicrous dramas have broken through the traditional contours of sweetness and retrogression and are well suited to the current demand for fragmentation and entertainment; and, on the other hand, the application of AI technology has led to a significant reduction in production costs, allowing for rapid production of a large amount of content to meet the diversity of audiences, especially for the Z generation viewers who are seeking a fresh sense.